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Writing About Film by Jules LeFort-Cleary: The Thin Red Line

Scholarly Sources

  • Brady, Lisa M. “Negotiating ‘The Thin Red Line.’” Environmental History, vol. 12, no. 2, 2007, pp. 290–91. JSTOR, http://www.jstor.org/stable/25473070. 

  • Polan, Dana. “Auteurism and War-Teurism: Terrence Malick’s War Movie.” The Last Great American Picture Show: New Hollywood Cinema in the 1970s, edited by Thomas Elsaesser et al., Amsterdam University Press, 2004, pp. 267–76. JSTOR, http://www.jstor.org/stable/j.ctt46mxhc.15. 

  • Eley, Geoff. “Finding the People’s War: Film, British Collective Memory, and World War II.” The American Historical Review, vol. 106, no. 3, 2001, pp. 818–38. JSTOR, https://doi.org/10.2307/2692326. 

  • Winkler, Martin M. “‘Dulce et Decorum Est pro Patria Mori?’ Classical Literature in the War Film.” International Journal of the Classical Tradition, vol. 7, no. 2, 2000, pp. 177–214. JSTOR, http://www.jstor.org/stable/30222684. 

  • Cain, Jimmie E. “‘Writing in His Musical Key’: Terrence Malick’s Vision of ‘The Thin Red Line.’” Film Criticism, vol. 25, no. 1, 2000, pp. 2–24. JSTOR, http://www.jstor.org/stable/44019065. 

In order to find the article/eBook you would like to read based on the citation on one of these pages, go to bigredlibrary.com and copy/paste the title into the main search box. After finding the correct article, choose "Access Options." 

For a print book, come to the library for help. 

If you cannot find the article, email Mrs. LeFort-Cleary at jules.lefort@montgomerybell.edu with the article citation and she can assist you. 

Contemporary Reviews